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Chrystel Lebas

 

 


   Selected exhibitions documentation

 
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Solo Exhibition at Huis Marseille, Museum for Photography, Amsterdam: Chrystel lebas/ Regarding Nature
Curated by Saskia Asser and Chrystel Lebas, the exhibition takes the visitor on a journey through landscapes of Scotland, Norfolk and Devon.
Walking and following the steps of Sir Edward James Salisbury the landscapes are scrutinized and re-photographed 90 years appart.
10th December 2016 – 5th March 2017
Chromogenic prints from colour negative, Silver gelatin photographs re-printed by Chrystel lebas from the original E.J. Salisbury's glass plates, texts, maps, lightboxes and a film installation, all at Variaton of sizes.



 
 
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A selection of the series Re-visiting is exhibited at The Scottish National Portrait Gallery in Edinburgh in The View From Here: Landscape Photography at the National Galleries of Scotland
October 2016 until April 2017
Selection of 2 photographs from Re-visiting - Chromogenic print from colour negative, mounted on aluminium and tray framed, 840 x 2000 mm,
a silver gelatin print, printed from original glass plate negative from Sir Edward James Salisbury archive and text framed with map



       
 
       
 

Sense of Place, European Landscape Photography’, Palais des Beaux-Arts, Bozar, Brussels, curated by Liz Wells and Christophe De Jaegger, Summer of Photography, 2012
Selection of 5 photographs from Études, Bel-Val - Chromogenic prints from colour negative, mounted on aluminium and tray framed, 840 x 2000 mm



       
             
             
 

Conversations on Nature: Chrystel Lebas & SofijaSilvia’ Guest curator by Liz Wells with Sabina Salamon, Museum of Modern and Contemporary Art, Rijeka, Croatia / June- September 2011
Chromogenic prints from colour negative, mounted on aluminium, various size.
Above image, right and left walls photographs by SofijaSilvia.
Press release & Touring brochure

 
 
       
  The Charter of the Forest’, The Collection and Usher Gallery, Lincoln / June- September 2010
Above left, Blue Hour film projection, foreground 'Tank work' by Mariele Neudecker;
Above right, Abyss, Untitled n.1, Chromogenic print from colour negative, mounted on aluminium and tray framed, 860 x 2000 mm
     
       
 

Seeking a place for oblivion’ curated by Sandra Krizic, Art Pavilion, Zagreb, Croatia / 2008
From the series Blue Hour, The Wait and Abyss, Chromogenic prints from colour negative, mounted on aluminium, 860 x 2000 mm

     
       
  ‘Twilight: Photography in The Magic Hour’, curated by Martin Barnes and Kate Best, The Victoria and Albert Museum, London / 2006
Above left, selection from Abyss, Chromogenic prints from colour negative, mounted on aluminium and tray framed, 860 x 2000 mm; Above right, from Abyss and Blue Hour film installation.
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